Themes and Motifs: Arrivals/Departures Return from war

Parent Term

Sibling Terms

Tagged Events

"Ambuscade", 4 (Event)
Environment: Domestic Space›Backyard
Actions: Physical›Running
Themes and Motifs: Arrivals/Departures›Return from war
"Ambuscade", 4 (Event)
Environment: Time of Year›Spring
Themes and Motifs: Animals›Horses | Arrivals/Departures›Return from war
Relationships: Familial›Father-son
Aesthetics: Description›Tableau
"By the People", 134 (Event)
Cultural Issues: History›Negro troops | Identity, Cultural›Southern stereotype | Race›Subverting a stereotype | War›Military awards | War›World War II
Themes and Motifs: Arrivals/Departures›Return from war
Relationships: Interracial›Military
Absalom, Absalom!, 128 (Event)
Actions: Bodily›Crying
Cultural Issues: Crime›Murder
Themes and Motifs: Arrivals/Departures›Return from war
Relationships: Familial›Conflict
Light in August, 468 (Event)
Actions: Movement›Wagon
Cultural Issues: Clothes›Frock coat | War›Civil War
Themes and Motifs: Arrivals/Departures›Return from war
Light in August, 472 (Event)
Actions: Work›Doctor / medical care
Cultural Issues: Slavery›Abolition | War›Civil War consequences | War›Wound
Themes and Motifs: Arrivals/Departures›Return from war
Requiem for a Nun, 184 (Event)
Cultural Issues: War›Return from war
Themes and Motifs: Arrivals/Departures›Return from war | Arrivals/Departures›Return home | Exile›Post-war
Aesthetics: Narrative›Parentheses
Sanctuary, 276 (Event)
Actions: Work›Waitress
Cultural Issues: Crime›Murder | Sexuality›Interracial
Themes and Motifs: Arrivals/Departures›Return from war | Values›Sacrifice
Relationships: Romantic›Infidelity
The Mansion, 199 (Event)
Environment: Public›Airport
Cultural Issues: Progress›Air travel | War›Women
Themes and Motifs: Arrivals/Departures›Return from war
Aesthetics: Allusion, Literary›Thackeray | Narrative›First-person passim throughout section | Narrative›Parentheses
The Mansion, 200 (Event)
Cultural Issues: History›Lost Generation | War›Veterans | War›Wound
Themes and Motifs: Arrivals/Departures›Return from war | Community›Alienation
Aesthetics: Narrative›Parentheses
The Mansion, 207 (Event)
Actions: Military›Training
Cultural Issues: War›Deployment
Themes and Motifs: Arrivals/Departures›Return from war | Arrivals/Departures›Return to Yoknapatawpha
Aesthetics: Narrative›Parentheses
The Mansion, 207 (Event)
Themes and Motifs: Arrivals/Departures›Return from war
The Mansion, 208 (Event)
Actions: Bodily›Bathing and/or personal hygiene | Bodily›Drinking | Play›Gambling
Themes and Motifs: Arrivals/Departures›Return from war
The Mansion, 210 (Event)
Actions: Interaction, Social›Spectate | Movement›Car
Themes and Motifs: Arrivals/Departures›Return from war
Relationships: Marital›Arranged
Aesthetics: Allusion, Literary›Cooper, James Fenimore | Narrative›Parentheses | Recurring Episodes›Bayard and the lost generation | Recurring Episodes›Narcissa marries Bayard
The Mansion, 210 (Event)
Actions: Emotional›Fear | Emotional›Shame | Military›Combat | Verbal›Discussion
Cultural Issues: War›World War I
Themes and Motifs: Arrivals/Departures›Return from war | Character›Inherited traits | Determinism›Fated | Memory›Haunted by past
Relationships: Familial›Brother-brother | Familial›Twins
Aesthetics: Narrative›Parentheses
The Mansion, 213 (Event)
Cultural Issues: Health and Illness›Deafness | History›Communism | History›Spanish Civil War | War›Veterans | War›Women | War›Wound
Themes and Motifs: Arrivals/Departures›Return from war
Aesthetics: Allusion, Historical›Miss America
The Mansion, 216 (Event)
Actions: Interaction, Social›Spectate | Movement›Carriage
Cultural Issues: Alcohol›Whiskey | Crime›Bootlegging | Education›Female education
Themes and Motifs: Arrivals/Departures›Return from war | Objects›Car | Texts›Satire
Relationships: Familial›Father-daughter | Marital›Husband-wife
Aesthetics: Allusion, Literary›Horace | Narrative›Parentheses
The Mansion, 222 (Event)
Actions: Movement›Car | Verbal›Instructing
Themes and Motifs: Arrivals/Departures›Return from war | Art›Sculpture | Meaning›Aesthetic experience | Objects›Clock | Recurring Tropes›Confederate monument
Aesthetics: Interpretation›Ambiguity | Intertextuality›Faulkner text | Typography/Orthography›Italics
The Mansion, 223 (Event)
Environment: Public›Street | Time of Day›One o'clock p.m.
Actions: Movement›Car
Themes and Motifs: Arrivals/Departures›Return from war | Community›Supportive
The Mansion, 323 (Event)
Environment: Time of Year›September
Themes and Motifs: Arrivals/Departures›Return from war | Arrivals/Departures›Return to Yoknapatawpha
The Mansion, 365 (Event)
Cultural Issues: Government›As source of money | Technology›Atomic bomb | War›Return from war | War›Surrender
Themes and Motifs: Arrivals/Departures›Return from war
Relationships: Marital›Wedding
Aesthetics: Allusion, Geographical›Pearl Harbor, Hawaii | Narrative›Parentheses
The Unvanquished, 8 (Event)
Environment: Domestic Space›Backyard
Actions: Physical›Running
Themes and Motifs: Arrivals/Departures›Return from war | Arrivals/Departures›Return home
Relationships: Friendship›Childhood friends | Friendship›Racial
The Unvanquished, 8 (Event)
Environment: Time of Year›Spring
Actions: Physical›Running
Themes and Motifs: Arrivals/Departures›Return from war | Arrivals/Departures›Return home
Relationships: Familial›Father-son
Aesthetics: Description›Tableau