Cultural Issues: Agriculture Cotton

Parent Term

Sibling Terms

Tagged Events

"The Tall Men", 55 (Event)
Actions: Work›Farming
Cultural Issues: Agriculture›Cotton | Government›Bureaucracy | Government›Interference | Identity, Personal›Financial independence
"The Tall Men", 57 (Event)
Cultural Issues: Agriculture›Cotton | Agriculture›Husbandry | Education›College | Government›Depression-era programs | Identity, Personal›Financial independence | Modernity›Interwar years | War›Draft
Absalom, Absalom!, 29 (Event)
Environment: Domestic Space›Garden | Place›Livery stable | Place›Plantation | Place›Slave Quarters | Place›Smokehouse
Actions: Bodily›Drinking | Economic›Borrowing | Emotional›Patience | Hunting›Deer hunting | Perceptual›Watching | Play›Gambling | Verbal›Rumor | Violent›Fighting | Work›Building structure
Cultural Issues: Agriculture›Cotton | Alcohol›Drunkenness | Alcohol›Whiskey | Class›Respectability | Gender›Inversion | Gender›Masculinity | Group Mentality›Community collective | Progress›Clearing the land | Slavery›Ownership
Themes and Motifs: Animals›Deer | Animals›Dogs | Animals›Turkey | Chaos/Order | Meaning›Mystery | Money›Dowry | Money›Gold | Objects›Footprint | Recurring Tropes›Solitude | Recurring Tropes›Upward mobility
Relationships: Marital›Arrangements
As I Lay Dying, 26 (Event)
Environment: Place›Cottonfield
Actions: Agricultural›Cotton picking | Bodily›Sweating | Emotional›Passivity | Mental›Fatalism | Moral›Exploitation | Work›Carpenter
Cultural Issues: Agriculture›Cotton | Sexuality›Conception/Conceiving a child
Themes and Motifs: Absence/Loss›Abandonment
Relationships: Familial›Kinship | Social›Neighbor
As I Lay Dying, 90 (Event)
Actions: Emotional›Sympathy | Mental›Predicting
Cultural Issues: Agriculture›Corn | Agriculture›Cotton | Agriculture›Farming life | Health and Illness›Doctoring | Religion›Piety
Themes and Motifs: Chaos/Order›Accident | Community›Opinion | Values›Providence
Aesthetics: Typography/Orthography›Italics
The Reivers , 141 (Event)
Environment: Atmospheric›Dark | Auditory›Murmur | Olfactory›Urine | Public›Train Station/Train depot | Time of Day›Night
Actions: Emotional›Jealousy | Emotional›Worry | Movement›Train | Physical›Loading
Cultural Issues: Agriculture›Cotton | Agriculture›Husbandry | Progress›Infrastructure | Race›Hierarchical
Themes and Motifs: Animals›Race horse | Values›Virtue
Aesthetics: Description›Eyes | Language›Profanity | Narrative›Parentheses | Tone›Overwrought | Typography/Orthography›Italics
The Reivers , 215 (Event)
Environment: Place›Plantation | Public›Road
Actions: Communication›Gossip | Emotional›Excitement | Moral›Scheming | Moral›Secret | Movement›Buggy | Physical›Driving
Cultural Issues: Agriculture›Corn | Agriculture›Cotton | Clothes›Socks | Crime›Theft | Economy›Gambling | Entertainment›Horse race | Race›Solidarity
Themes and Motifs: Animals›Dogs | Animals›Mules | Animals›Race horse | Objects›Gold tooth
Aesthetics: Allusion, Geographical›Memphis, Tennessee | Diction›African American vernacular dialect | Typography/Orthography›Italics
The Reivers , 284 (Event)
Cultural Issues: Agriculture›Cotton | Alcohol›Race | Health and Illness›Hangover | Labor›Racialized | Law›Incarceration
Aesthetics: Diction›Racist term
The Reivers , 71 (Event)
Environment: Place›Fishing camp
Cultural Issues: Agriculture›Corn | Agriculture›Cotton | Alcohol›Bootlegging | Hunting and Fishing›Annual | Land-Use›Agricultural | Land-Use›Loss of wilderness | Progress›New replacing old | Progress›Renaming
Aesthetics: Narrative›Second-person directed
The Reivers , 81 (Event)
Environment: Domestic Space›Cabin | Domestic Space›Gallery
Actions: Economic›Scamming | Physical›Lifting
Cultural Issues: Agriculture›Cotton | Economy›Share-cropping | Race›Hierarchical | Slavery›Traditions
Themes and Motifs: Animals›Mules | Objects›Plow
Aesthetics: Description›Landscape | Diction›African American vernacular dialect | Diction›Rural vernacular | Figures of Speech›Simile | Genre Conventions›Comedy | Language›Hee hee hee | Language›Profanity | Narrative›Anticipation | Narrative›Commentary | Narrative›Parentheses | Narrative›Second-person directed