Keywords
| Term ID |
Vocabulary |
Parent | Term | Description |
|---|---|---|---|---|
| 1605 | Aesthetics | Diction | Hill dialect | |
| 1606 | Aesthetics | Diction | Native American languages |
I created this for "The Old People," 204.2, because the emphasis is on the "old tongue" that Sam Fathers speaks. LW |
| 1636 | Aesthetics | Language | Indian | |
| 1637 | Aesthetics | Narrative | Epiphany | |
| 1638 | Aesthetics | Narrative | Anti-climax | |
| 1639 | Aesthetics | Narrative | Withholding | |
| 1650 | Aesthetics | Narrative | Self-Reflective | |
| 1659 | Aesthetics | Narrative | Frame |
Though somewhat obvious, this refers to a "nested" narrative where a story is told by someone to someone else. The example here is the opening of The Reivers, where the entire text is framed as being told to Lucius III by Lucius II. JB |
| 1661 | Aesthetics | Allusion, Historical | Explorers | |
| 1685 | Aesthetics | Allusion, Historical | Napoleon | |
| 1686 | Aesthetics | Allusion, Mythical | Damocles sword | |
| 1687 | Aesthetics | Narrative | Parentheses | |
| 1688 | Aesthetics | Interpretation | Debunking story | |
| 1692 | Aesthetics | Interpretation | Ambiguity | |
| 1698 | Aesthetics | Allusion, Historical | Dillinger, John | |
| 1699 | Aesthetics | Allusion, Historical | James, Jesse | |
| 1715 | Aesthetics | Symbolism | Created by characters | |
| 1751 | Aesthetics | Narrative | Delayed revelation |
Any time in a narrative where something happens, but the exact nature of the event is not revealed till some time later. Faulkner uses this technique quite often. The example here is from Monk, where Monk had apparently been living in a house for several months, but the town does not find out about it until months later. |
| 1792 | Aesthetics | Typography/Orthography | Square brackets | |
| 1795 | Aesthetics | Allusion, Historical | Roman senator | |
| 1798 | Aesthetics | Language | Call and response | |
| 1804 | Aesthetics | Diction | Imitation |
When a character imitates or approximates the dialect of another, whose dialect they themselves do not use. BR |
| 1805 | Aesthetics | Narrative | Imagined conversation |
When a narrator retrospectively imagines what they could have or wished they had said in a particular conversation. BR |
| 1821 | Aesthetics | Figures of Speech | Bird | |
| 1828 | Aesthetics | Allusion, Historical | Boxers Sullivan and Kilrain | |
| 1829 | Aesthetics | Allusion, Historical | Boxers Dempsey and Tunney | |
| 1852 | Aesthetics | Narrative | Commentary | |
| 1869 | Aesthetics | Allusion, Historical | Bonaparte, Napoleon | |
| 1871 | Aesthetics | Allusion, Historical | Coke upon Littleton | |
| 1872 | Aesthetics | Allusion, Literary | Josephus, Flavius | |
| 1873 | Aesthetics | Allusion, Literary | Koran | |
| 1874 | Aesthetics | Allusion, Historical | Mississippi Reports | |
| 1875 | Aesthetics | Allusion, Literary | Taylor, Jeremy | |
| 1876 | Aesthetics | Allusion, Literary | Scott, Walter | |
| 1877 | Aesthetics | Allusion, Literary | Cooper, James Fenimore | |
| 1878 | Aesthetics | Allusion, Literary | Dumas, Alexandre | |
| 1885 | Aesthetics | Allusion, Biblical | Crucifixion | |
| 1886 | Aesthetics | Figures of Speech | Voice | |
| 1888 | Aesthetics | Style | Long sentence | |
| 1889 | Aesthetics | Metafictional | Painting | |
| 1890 | Aesthetics | Allusion, Mythical | Demon | |
| 1891 | Aesthetics | Figures of Speech | Chains | |
| 1892 | Aesthetics | Figures of Speech | Oxymoron | |
| 1893 | Aesthetics | Symbolism | Hamsa | |
| 1895 | Aesthetics | Allusion, Biblical | Genesis | |
| 1901 | Aesthetics | Narrative | Anticipation | |
| 1902 | Aesthetics | Figures of Speech | Disease | |
| 1903 | Aesthetics | Figures of Speech | Skeleton | |
| 1904 | Aesthetics | Allusion, Mythical | Ogre | |
| 1905 | Aesthetics | Allusion, Biblical | Hell | |
| 1907 | Aesthetics | Allusion, Mythical | Niobe | |
| 1928 | Aesthetics | Allusion, Biblical | Heaven | |
| 1930 | Aesthetics | Allusion, Biblical | Divine intervention | |
| 1931 | Aesthetics | Allusion, Mythical | Cassandra | |
| 1936 | Aesthetics | Allusion, Mythical | Djinn | |
| 1937 | Aesthetics | Figures of Speech | Tornado | |
| 1939 | Aesthetics | Figures of Speech | Replica | |
| 1949 | Aesthetics | Figures of Speech | Breath | |
| 1959 | Aesthetics | Style | Cubism | |
| 1963 | Aesthetics | Typography/Orthography | Onomatopoeia | |
| 1964 | Aesthetics | Typography/Orthography | Spacing | |
| 1973 | Aesthetics | Description | Tableau | |
| 1975 | Aesthetics | Narrative | Second-person directed |
Whenever the narrator of the text refers to "you" as a specific subject or auditor, as is the case with Lucius II referring to Lucius III in the Reivers. This is slightly more nuanced than storytelling, which is generic. Instead this is a narrative crafted with a particular auditor in mind. |
| 1981 | Aesthetics | Figures of Speech | Personification | |
| 1989 | Aesthetics | Narrative | Revision | |
| 1990 | Aesthetics | Allusion, Literary | Ancient Greek Chorus | |
| 1991 | Aesthetics | Figures of Speech | Clay | |
| 2015 | Aesthetics | Narrative | Reconstructed | |
| 2017 | Aesthetics | Typography/Orthography | All caps | |
| 2032 | Aesthetics | Figures of Speech | Electricity | |
| 2057 | Aesthetics | Allusion, Biblical | Moses | |
| 2079 | Aesthetics | Allusion, Historical | John L. Sullivan | |
| 2081 | Aesthetics | Narrative | Reported narration |
For when a character reports what some other character has told him/her about something that has happened - typically for things that the narrator was not present to see in person. -JBP |
| 2085 | Aesthetics | Narrative | Present-time reference |
For when a character switches from past-tense narration (about past events) to refer to the present time and/or how he/she feels "now." -JBP |
| 2091 | Aesthetics | Figures of Speech | Rain | |
| 2095 | Aesthetics | Figures of Speech | Seed | |
| 2096 | Aesthetics | Narrative | Chronological enjambment |
When the narrative apposes two chronologically distant moments in a single sentence, right on top of each other. |
| 2103 | Aesthetics | Genre Conventions | Melodrama | |
| 2105 | Aesthetics | Allusion, Historical | Richard I of England | |
| 2130 | Aesthetics | Figures of Speech | Metonym | |
| 2140 | Aesthetics | Figures of Speech | Scientific |
To be used for figures of speech drawn from science (for example, references to osmosis, astronomy, or Darwinian evolution) - CR |
| 2144 | Aesthetics | Allusion, Geographical | Cuba | |
| 2156 | Aesthetics | Figures of Speech | Military terminology | |
| 2163 | Aesthetics | Allusion, Biblical | Noah/flood | |
| 2164 | Aesthetics | Allusion, Historical | Caesar, Julius | |
| 2165 | Aesthetics | Allusion, Historical | Crusades | |
| 2167 | Aesthetics | Allusion, Geographical | Chicago | |
| 2168 | Aesthetics | Allusion, Historical | Monroe, Marilyn | |
| 2169 | Aesthetics | Allusion, Historical | Harlow, Jean | |
| 2170 | Aesthetics | Allusion, Historical | Grable, Betty | |
| 2173 | Aesthetics | Allusion, Biblical | Mary | |
| 2182 | Aesthetics | Narrative | Quotation as thought |
For when a text says a character "thinks" or "thought" something - often as a passage in quotation marks but also sometimes in italics. In those cases, perhaps the "Italics" keyword should also be applied. JBP |
| 2187 | Aesthetics | Allusion, Literary | Bluebeard | |
| 2189 | Aesthetics | Allusion, Mythical | Dragon's teeth | |
| 2190 | Aesthetics | Allusion, Mythical | Clytemnestra | |
| 2191 | Aesthetics | Allusion, Literary | Greek tragedy | |
| 2203 | Aesthetics | Allusion, Literary | Negro spirituals | |
| 2211 | Aesthetics | Narrative | Unreliable narrator | |
| 2212 | Aesthetics | Narrative | Stream of consciousness narration | |
| 2222 | Aesthetics | Figures of Speech | Animals compared to people |