Keywords

When the action of a story takes someone into a place they've never been before, for example the "strange country" that the chase of the deer reaches in "Race at Morning" (301).

Created for a moment in "Race at Morning" when the narrator imagines what the hunted deer is seeing and thinking. There may not be other instances of this, but to open up the narrative to the subjectivity of an animal seems worth noting. SR

To capture when an animal "talks" - for example, when the narrator of "Race at Morning" says the lead dog Eagle "said, 'There he goes'" when he saw the deer. Here the narrator translates the dog's baying into words, but that isn't necessary with this term. It's for when communication occurs between species, probably always between an animal and a person. SR

Created to capture passages which describe an animal as thinking, knowing - specifically, for the way the horse and the hunting dogs "know where" the deer was hiding "as good as we did" in "Race at Morning," a knowledge that is seen is their behavior (299). SR

Created to capture the pervasive patterns of difference caused by race - specifically, that the white hunters in "Race at Morning" carry good guns while Simon carries an old "britchloader slung on a piece of plow line" (298). Could also be used to capture what Bayard calls the "arrangements" between him and Ringo, etc. SR

Perfect, that is, for the context - which can either mean clear sunlight OR pitch darkness, frost or rain. Whenever the weather feels right. For the dawn of the hunt in "Race at Morning," it means "cold and bright" (297).

Similar to the keyword for negation, but for when a text vaguely affirms or says yes about something. (Cf. Quentin saying "we did" and "yes Yes Yes yes" on 148-49 of SF.) JBP