Keywords
| Term ID | Vocabulary | Parent |
Term |
Description |
|---|---|---|---|---|
| 3381 | Environment | Auditory | Owls | |
| 5304 | Themes and Motifs | Animals | Owl | |
| 2121 | Themes and Motifs | Money | Owed |
This keyword is for when a character claims or otherwise believes he or she is owed money (to repay a debt, as payment for labor, etc.). -JBP |
| 2743 | Aesthetics | Tone | Overwrought |
This label is as subjective as it is possibly contentious, yet I have created for those instances in which the tone appears too highfalutin, philosophical, or otherwise "fancy" in relation to the subject matter at hand. The specific example, is from The Reivers when Lucius Priest constantly reflects on his younger self in mock-epic fashion to describe his battles with "Virtue". JB |
| 4334 | Actions | Emotional | Overwhelmed | |
| 3682 | Environment | Olfactory | Oversweet organic |
Honeysuckle, but also the blooms from the "heaven tree" in Sanctuary, etc. |
| 1383 | Actions | Perceptual | Overhearing | |
| 1026 | Cultural Issues | Clothes | Overalls | |
| 756 | Themes and Motifs | Absence/Loss | Over time | |
| 886 | Actions | Emotional | Outrage | |
| 2543 | Environment | Place | Outlaw country |
On a number of occasions, Faulkner makes reference to stretches of outlaw country. Places where illegal and illicit practices transpire, but there is no enforcement by local or federal authority. This is particular in reference to Frenchman's Bend in the Hamlet, but also Ballenbaugh's historic emergence in the Reivers. JB |
| 4745 | Cultural Issues | Cultural Identity | Outlander | |
| 1462 | Environment | Domestic Space | Outhouse | |
| 1387 | Themes and Motifs | Chaos/Order | Out of ordered place |
This phrase derives from the last words of The Sound and the Fury: "each in its ordered place." It is used when the expected order is radically unsettled, such as when one of the spotted horses goes inside Mrs. Littlejohn's house or the mule gets into Mrs. Hait's yard, and so on. SR |
| 336 | Environment | (First level term) | Otherworldly | |
| 4084 | Aesthetics | Allusion, Literary | Othello | |
| 5150 | Environment | Place | Orphanage | |
| 913 | Relationships | Familial | Orphan | |
| 3122 | Aesthetics | Narrative | Origin | |
| 3975 | Cultural Issues | Sexuality | Orgasm | |
| 5162 | Themes and Motifs | Objects | Organ | |
| 4652 | Themes and Motifs | Community | Ordinary | |
| 3265 | Actions | Verbal | Ordering | |
| 4048 | Themes and Motifs | Chaos/Order | Order in a courtroom | |
| 4835 | Themes and Motifs | Chaos/Order | Order | |
| 3881 | Environment | Natural | Orchard | |
| 4007 | Environment | Atmospheric | Oppressive | |
| 2258 | Themes and Motifs | Character | Opportunism | |
| 3546 | Themes and Motifs | Community | Opinion | |
| 5702 | Environment | Public | Opera house | |
| 3354 | Themes and Motifs | Objects | Opera glass | |
| 1985 | Themes and Motifs | Recurring Tropes | Open secret |
Any moment when everyone or many people in a place know something to be true, but they pretend not to know it. For example, everyone knows Linda is not Flem's child, but pretends to not know, just as everyone pretends John Powell brings his gun to work but people pretend he does not. JB |
| 1963 | Aesthetics | Typography/Orthography | Onomatopoeia | |
| 5521 | Cultural Issues | Politics | One-Party | |
| 3870 | Environment | Time of Day | One o'clock p.m. | |
| 4695 | Cultural Issues | War | On homefront | |
| 1720 | Cultural Issues | Identity, Personal | On frontier | |
| 4017 | Actions | Verbal | Omission | |
| 5778 | Aesthetics | Allusion, Mythical | Olympus | |
| 335 | Environment | (First level term) | Olfactory | |
| 2201 | Environment | Olfactory | Old woman smell |
For when Faulkner texts make explicit reference to the smell of elderly (old) women - "faint odor of old maidens" in "Go Down, Moses," the "rank smell of female old flesh" in "Absalom," etc. (Question: Does Faulkner ever reference the smell of old MEN?) JBP |
| 1567 | Cultural Issues | Nationality | Old vs New World | |
| 3003 | Cultural Issues | Identity, Personal | Old vs new selves | |
| 3862 | Aesthetics | Allusion, Biblical | Old Testament Book Song of Songs | |
| 3712 | Aesthetics | Allusion, Biblical | Old Testament Book of Psalms | |
| 3866 | Aesthetics | Allusion, Biblical | Old Testament Book of Proverbs | |
| 3567 | Aesthetics | Allusion, Biblical | Old Testament Book of Isaiah | |
| 4959 | Aesthetics | Allusion, Biblical | Old Testament | |
| 5299 | Cultural Issues | History | Old South and start of the war | |
| 3240 | Aesthetics | Allusion, Geographical | Old Point Comfort, Virginia | |
| 4097 | Aesthetics | Figures of Speech | Old maid | |
| 4943 | Environment | Place | Old Jefferson | |
| 5742 | Themes and Motifs | Recurring Tropes | Old insult (abiding affront) | |
| 5041 | Aesthetics | Recurring Episodes | Old Frenchman's arrival | |
| 1627 | Themes and Motifs | Past | Old days | |
| 1671 | Themes and Motifs | Story-telling | Old days | |
| 5024 | Aesthetics | Recurring Episodes | Old Bayard's death | |
| 2860 | Aesthetics | Allusion, Geographical | Old Bailey | |
| 4341 | Aesthetics | Allusion, Geographical | Old Bailey | |
| 1617 | Cultural Issues | Age | Old age | |
| 4914 | Aesthetics | Allusion, Geographical | Oklahoma | |
| 4944 | Environment | Place | Okatoba | |
| 3812 | Cultural Issues | Economy | Oil business | |
| 5433 | Aesthetics | Allusion, Geographical | Ohio | |
| 3974 | Aesthetics | Language | Oh Oh Oh Oh | |
| 1904 | Aesthetics | Allusion, Mythical | Ogre | |
| 3058 | Environment | Place | Official office | |
| 2949 | Environment | Domestic Space | Office | |
| 5015 | Actions | Work | Office | |
| 942 | Environment | Place | Office | |
| 3048 | Actions | Economic | Offering to sell | |
| 3366 | Actions | Economic | Offering to buy | |
| 3926 | Cultural Issues | Ethnicity | Offensive terminology | |
| 5352 | Themes and Motifs | Death | Of parent | |
| 3117 | Themes and Motifs | Absence/Loss | Of loved one | |
| 2653 | Themes and Motifs | Recurring Tropes | Odor | |
| 2731 | Environment | Time of Year | October | |
| 4035 | Actions | Legal | Obstructing justice / law enforcement officer | |
| 1333 | Themes and Motifs | Psychological | Obsession | |
| 4191 | Actions | Perceptual | Observing | |
| 2256 | Relationships | Intergenerational | Obligation | |
| 2377 | Themes and Motifs | Art | Objet d'art | |
| 461 | Themes and Motifs | (First level term) | Objects | |
| 2918 | Actions | Physical | Obeying / obedience | |
| 1463 | Cultural Issues | Health and Illness | Obesity | |
| 4081 | Themes and Motifs | Objects | Oars | |
| 677 | Actions | Emotional | Nurturing | |
| 1378 | Cultural Issues | Health and Illness | Nursing | |
| 1206 | Actions | Domestic | Nursing | |
| 3538 | Aesthetics | Style | Numerous adjectives | |
| 5585 | Actions | Emotional | Numbness | |
| 4877 | Cultural Issues | Crime | Numbers | |
| 5005 | Cultural Issues | Sexuality | Nudity | |
| 1608 | Environment | Time of Year | November | |
| 3092 | Themes and Motifs | Texts | Novel | |
| 5259 | Themes and Motifs | Texts | Notice | |
| 1332 | Themes and Motifs | Recurring Tropes | Nothingness | |
| 4218 | Themes and Motifs | Futility | Nothing to do |
"There's nothing else I can do now," Elly thinks (207). Reaching a point where no further options or ways forward can be imagined. |
| 5126 | Actions | Communication | Note | |
| 4668 | Themes and Motifs | Texts | Note |