Keywords

This is listed under cultural identity and ethnic identity, but in "Death Drag" it is very clear that this is a racial difference. The text states, "When he came up the spectators saw that he, like the limping man, was also a Jew. That is, they knew at once that two of the strangers were of a different race from themselves, without being able to say what the difference was" (188). Not sure if it makes to consolidate with the other forms of identifying Jewishness. JHB

Any time a black character appears to have a premonition or intuition about how events will play out. I'm thinking her of Job in "Uncle Willy" who melancholically tags along even though he knows things will end badly. The same could be said for any number of Black servants who are forced to entertain their master's fancies. Dilsey is another example. JB

Whenever a Black body is described or there is a touch between a White body and Black body. For example, the unnamed narrator describing Job's body in "Uncle Willy": "he felt like a handful of scrawny dried sticks" (246).

To capture the movement of people from the countryside to more urban areas, including moving from Frenchman's Bend to Jefferson, as Zilphia Gant's mother and so many Snopeses do. SR

There is already an entry for Domestic Space -> Pasture. This refers to a pasture that is not part of a domestic space. JB