When Boon and Butch are taken to jail in Hardwich in The Reivers, Reba and Corrie stay in "the jailor's wife's room" (270). The phrasing suggests that, like the jailer in Jefferson in other fictions, this couple lives in the building that holds the jail.
Intruder in the Dust includes a romantic vignette about the daughter of the man who was the county jailer in 1864. Struck by the appearance of a "ragged unshaven lieutenant" who is leading a defeated Confederate unit past the jail, this "young girl of that time" writes her name with a diamond in "one of the panes of the fanlight beside the door"; "six months later" they are married (49). (This story is told more fully, and shifted to the beginning of the Civil War, in Requiem for a Nun, 1951. There the daughter is named Cecelia Farmer.)
In addition to the present day jailer, Mr. Tubbs, Intruder in the Dust mentions but doesn't name the man who was the county jailer during the Civil War. Like Tubbs, he lived with his family in the jail. (According to the "Corrected Texts" that Noel Polk edited for Vintage International, Faulkner spelled "jailer" with an 'e' in "That Evening Sun," Intruder in the Dust and "An Error in Chemistry" but with an 'o' in "Monk," Requiem for a Nun and The Reivers.
In the final chapter of the novel, "Go Down, Moses," Gavin thinks briefly about consulting "the sheriff" for help finding Butch Beauchamp for Mollie (355). There are two other 'sheriff's in the novel, another unnamed one in "The Fire and the Hearth" and Sheriff Maydew in "Pantaloon in Black." They are essentially contemporaneous, but the text does not suggest any connection between any of them - so we have created three separate "Sheriff" entries.
In the revised version of "Delta Autumn" that Faulkner published in Go Down, Moses, Ike McCaslin sees this "Negro man" "sitting in the stern" of the boat that brought the young woman to the camp (277). The boat is his, and he is the woman's "cousin," though unlike hers, his race is immediately apparent (278). When Ike learns that the young woman is descended from James Beauchamp, he might have realized that this cousin of hers is also a relative of his - part of the extended McCaslin-Beauchamp-Edmonds family - but that is not made explicit in the chapter.
Just before the young woman enters the tent at the end of "Delta Autumn," Ike McCaslin sees, "sitting in the stern" of the boat that brought her to the camp, "a Negro man" (277). The boat is his, and he is the woman's "cousin," though unlike his, her race is not immediately apparent (278). (When Faulkner revised the story for Go Down, Moses, he made the young woman the granddaughter of James Beauchamp, and so made this cousin part of the extended McCaslin-Beauchamp-Edmonds family. For that reason we have a separate entry for him in the database.
The young woman in "Delta Autumn" identifies the man in the boat that takes her to the hunting camp as her "cousin," but beyond that the story provides no details about the aunt's "family" in Vicksburg with whom she has been staying (278). (In the revised version of the story that Faulkner published in Go Down, Moses, this family is part of the extended McCaslin-Beauchamp-Edmonds family.)
In the magazine version of "Delta Autumn," this woman lives in Vicksburg with her family, and was willing to take in her niece after her father's death. When this niece tells Ike McCaslin that her aunt "took in washing," he suddenly realizes the racial nature of the "effluvium" her niece brings with her (278, 277). In the Yoknapatawpha fictions, the women who wash clothes are always Negroes.
In The Mansion Byron's "four half-Snopes half-Apache Indian children" are sent back to Jefferson and end up wreaking havoc (327). That story is told in detail in The Town, where they are somewhat more clearly individualized: one, probably the oldest, is a girl, two are boys, while no one is sure about the sex of the youngest. (See the entries for Byron Snopes' Daughter, Bryron Snopes' Son(1), Byron Snopes' Son(2) and Byron Snopes' Youngest Child in this index.)
