Keywords
Term ID | Vocabulary | Parent | Term | Description |
---|---|---|---|---|
1929 | Cultural Issues | Religion | Institutional | |
1930 | Aesthetics | Allusion, Biblical | Divine intervention | |
1931 | Aesthetics | Allusion, Mythical | Cassandra | |
1932 | Themes and Motifs | Time | Frozen / Static | |
1933 | Themes and Motifs | Recurring Tropes | Sun / Sunlight | |
1934 | Themes and Motifs | Art | Music | |
1935 | Cultural Issues | Religion | Sabbath | |
1936 | Aesthetics | Allusion, Mythical | Djinn | |
1937 | Aesthetics | Figures of Speech | Tornado | |
1938 | Themes and Motifs | Appearance | Similarity | |
1939 | Aesthetics | Figures of Speech | Replica | |
1940 | Cultural Issues | Race | Stereotype: teeth | |
1941 | Actions | Movement | Racing | |
1942 | Environment | Public | Church | |
1943 | Environment | Atmospheric | Thunder | |
1944 | Actions | Perceptual | Eavesdropping | |
1945 | Cultural Issues | Gender | Inversion | |
1946 | Themes and Motifs | Objects | Phaeton | |
1947 | Themes and Motifs | Supernatural | Place | |
1948 | Themes and Motifs | Recurring Tropes | Threshold | |
1949 | Aesthetics | Figures of Speech | Breath | |
1950 | Themes and Motifs | Recurring Tropes | Triumph | |
1951 | Actions | Domestic | Housekeeping | |
1952 | Actions | Physical | Carrying | |
1953 | Relationships | Familial | Twins | |
1954 | Relationships | Familial | Brother-brother | |
1955 | Actions | Play | Poker | |
1956 | Actions | Verbal | Praising | |
1957 | Themes and Motifs | Home | Homesickness_Longing for home | |
1958 | Environment | Time of Year | July | |
1959 | Aesthetics | Style | Cubism | |
1960 | Environment | Auditory | Sawing | |
1961 | Environment | Auditory | Carpentry | |
1962 | Cultural Issues | War | Capture | |
1963 | Aesthetics | Typography/Orthography | Onomatopoeia | |
1964 | Aesthetics | Typography/Orthography | Spacing | |
1965 | Cultural Issues | Economy | Domestic | |
1966 | Actions | Mental | Economizing |
When a character invests effort in thinking strategically about personal or household economy, such as when Cora Tull attempts to pay for her pricey chickens by selling cakes made with the eggs of those chickens in AILD. EP |
1967 | Actions | Military | Escape | |
1968 | Themes and Motifs | Absence/Loss | Livestock | |
1969 | Actions | Violent | Arson | |
1970 | Actions | Physical | Restraining | |
1971 | Cultural Issues | Religion | Piety | |
1972 | Actions | Emotional | Resentment | |
1973 | Aesthetics | Description | Tableau | |
1974 | Cultural Issues | Law | Wanted poster |
Any paraphernalia used to publicly identify a possible criminal. The example used is from The Reivers, which refers to a "Bertillon chart or a police poster" (3). JB |
1975 | Aesthetics | Narrative | Second-person directed |
Whenever the narrator of the text refers to "you" as a specific subject or auditor, as is the case with Lucius II referring to Lucius III in the Reivers. This is slightly more nuanced than storytelling, which is generic. Instead this is a narrative crafted with a particular auditor in mind. |
1976 | Environment | Time of Year | May | |
1977 | Actions | Economic | Accounting |
This does not merely describe the specific actions of an accountant, but any formal or informal balancing of the books be it Flem Snopes, Maury Priest, or Will Varner. JB |
1978 | Cultural Issues | Entertainment | Baseball | |
1979 | Relationships | Ancestral | Great-grandparent | |
1980 | Actions | Physical | Kicking | |
1981 | Aesthetics | Figures of Speech | Personification | |
1982 | Themes and Motifs | Recurring Tropes | Belatedness | |
1983 | Cultural Issues | Law | Firearms |
Any formal or informal practices regarding firearms that are functionally law, whether these practices are recognized in a court or not. For example, the assumption that no one in Maury Priest's workplace would bring a gun in the Reivers or the shop owner who refuses to sells Mink ammunition in the Mansion. This definition also includes legal violations of laws surrounding firearms. JB |
1984 | Actions | Interaction, Social | Concealment |
Any time a character hides something from his peer group or society at large. The particular instance here is John Powell concealing his pistol from the men in the livery stable. |
1985 | Themes and Motifs | Recurring Tropes | Open secret |
Any moment when everyone or many people in a place know something to be true, but they pretend not to know it. For example, everyone knows Linda is not Flem's child, but pretends to not know, just as everyone pretends John Powell brings his gun to work but people pretend he does not. JB |
1986 | Themes and Motifs | Animals | Fireflies | |
1987 | Environment | Domestic Space | Sitting room | |
1988 | Environment | Auditory | Bells | |
1989 | Aesthetics | Narrative | Revision | |
1990 | Aesthetics | Allusion, Literary | Ancient Greek Chorus | |
1991 | Aesthetics | Figures of Speech | Clay | |
1992 | Themes and Motifs | Objects | Saddlebag | |
1993 | Environment | Place | Hotel | |
1994 | Themes and Motifs | Values | Determination | |
1995 | Themes and Motifs | Time | Running out | |
1996 | Actions | Mental | Inquiry | |
1997 | Themes and Motifs | Money | Gold | |
1998 | Themes and Motifs | Texts | Deed | |
1999 | Themes and Motifs | Money | Loot | |
2000 | Cultural Issues | Clothes | Frock coat | |
2001 | Cultural Issues | Crime | Waistcoat | |
2002 | Cultural Issues | Clothes | Hat | |
2003 | Themes and Motifs | Body | Teeth | |
2004 | Environment | Place | Poorhouse | |
2005 | Cultural Issues | Clothes | Green eyeshade | |
2006 | Actions | Emotional | Theatricality | |
2007 | Cultural Issues | Class | Declasse |
Whenever a character has suffered a loss of social status, in particular those characters formerly connected with the prominent families of Jefferson. For example, Dan Grinnup who is Louis Grenier's family. J. Burgers |
2008 | Actions | Work | Driving |
When someone is driving people around for a living. JB |
2009 | Cultural Issues | Class | Homelessness | |
2010 | Environment | Place | Livery stable | |
2011 | Actions | Interaction, Social | Noblesse oblige |
Any time of social contract that is maintained that relies on implied class differences. The term is a bit murky, but Faulkner refers to it explicitly and implicitly on a number of occasions. The agreement between Maury Priest and John Powell, and the remission of Miss Emily's taxes are examples. JB |
2012 | Environment | Place | Lot | |
2013 | Themes and Motifs | Time | Continuity |
Any time the past is consonant with the present, or a tradition is passed on. For example, the Hampton's being Sheriffs is a historical continuity. JB |
2014 | Environment | Public | Alley | |
2015 | Aesthetics | Narrative | Reconstructed | |
2016 | Environment | Place | Pond | |
2017 | Aesthetics | Typography/Orthography | All caps | |
2018 | Environment | Atmospheric | Crowded | |
2019 | Themes and Motifs | Appearance | Nakedness | |
2020 | Themes and Motifs | Character | Forbearance | |
2021 | Themes and Motifs | Objects | Windows | |
2022 | Themes and Motifs | Character | Artist | |
2023 | Themes and Motifs | Recurring Tropes | Dream | |
2024 | Themes and Motifs | Character | Ruthless | |
2025 | Themes and Motifs | Character | Vanity | |
2026 | Environment | Place | Slave Quarters | |
2027 | Environment | Place | Smokehouse | |
2028 | Themes and Motifs | Objects | Footprint |