Keywords

When the narrator corrects, or significantly qualifies, an immediately preceding statement or account. JW

Though somewhat obvious, this refers to a "nested" narrative where a story is told by someone to someone else. The example here is the opening of The Reivers, where the entire text is framed as being told to Lucius III by Lucius II. JB

Any time in a narrative where something happens, but the exact nature of the event is not revealed till some time later. Faulkner uses this technique quite often. The example here is from Monk, where Monk had apparently been living in a house for several months, but the town does not find out about it until months later.

Whenever the narrator of the text refers to "you" as a specific subject or auditor, as is the case with Lucius II referring to Lucius III in the Reivers. This is slightly more nuanced than storytelling, which is generic. Instead this is a narrative crafted with a particular auditor in mind.

For when a character switches from past-tense narration (about past events) to refer to the present time and/or how he/she feels "now." -JBP

For when a text says a character "thinks" or "thought" something - often as a passage in quotation marks but also sometimes in italics. In those cases, perhaps the "Italics" keyword should also be applied. JBP

Whenever a narrator engages in an event that she or he knows to be pure fantasy or wish fulfillment. JC

I created this to capture scenes when two or more characters interrupt each other's attempt to create a narrative - specifically, in the context of the way Gavin (and sometimes the Governor) seize on parts of Temple's story that she would rather not dwell on. SR

When narrative relates events in achronological order, i.e. event3 followed by event1 followed by event2, etc. Cf. opening paragraph of Sanctuary. SR