Keywords

When the narrator corrects, or significantly qualifies, an immediately preceding statement or account. JW

This is for the occasions when Faulkner uses a series of dots as a feature of his prose - i.e. ". . ." or ". . . . . ." We can't call these dots ellipses, because they do not represent anything being left out of the text. The most disconcerting use of this technique is in "Miss Zilphia Gant." SR

I created this for "The Old People," 204.2, because the emphasis is on the "old tongue" that Sam Fathers speaks. LW

Though somewhat obvious, this refers to a "nested" narrative where a story is told by someone to someone else. The example here is the opening of The Reivers, where the entire text is framed as being told to Lucius III by Lucius II. JB

Any time in a narrative where something happens, but the exact nature of the event is not revealed till some time later. Faulkner uses this technique quite often. The example here is from Monk, where Monk had apparently been living in a house for several months, but the town does not find out about it until months later.

When a character imitates or approximates the dialect of another, whose dialect they themselves do not use. BR