According to "Knight's Gambit," the end of Harriss' story follows a familiar pattern: "One morning your lawyer’s secretary telephones your wife long distance in Europe and says you just died sitting at your desk" (167). Although this is put indirectly, it is likely that the "lawyer" and the secretary it refers to exist.
The twelve jurors in "Monk" to whom Monk tries to make a speech are referred to only as "the jury" (42). Given both the cultural realities of Mississippi in the 1930s and the representation of other trials in Faulkner's fictions, one can assume this group was all-white and all-male.
In all three volumes of the Snopes trilogy the jury finds Mink guilty without much deliberation. In The Hamlet they are described as a "grave" and impassive "conclave of grown men" (368). (Only white males served on juries in Mississippi at the time of the story. By law, women were not allowed to serve on Mississippi juries until 1968. Negroes were not legally prohibited from being jurors, but until even later it was common practice to keep them off most juries.)
Given the political realities of Mississippi circa 1930 it's safe to say that the jurors in Lee Goodwin's trial in Sanctuary are all white and male, but all the narrative ever says about them is that, after Temple's testimony brings the proceeding to an inexplicable end, they take "eight minutes" to convict him of a crime he did not commit (291).
In "Tomorrow," ten of the jurors who serve with Mr. Fentry in the Bookwright trial are unnamed, but they are described as "farmers and store-keepers" (91) - and unanimous in their desire to acquit Bookwright.
Mink Snopes' murder trial is described, at least briefly, in all three novels in the Snopes trilogy. Though the judge who presides over the trial is not named until the third volume - in The Mansion he is referred to, once, as "Judge Brummage" (48) - there's no reason not to assume that Faulkner imagined the same person on the bench in all three accounts.
In Sanctuary the judge who presides over Lee's trial is never individualized at all. He is not even called "judge" by the narrative, just "the Court" (270, 282, etc.). We identify him as "upper class" based on the status of the title "Judge" in Faulkner's other fiction.
The "JUDGE" who pronounces Nancy's death sentence at the start of the play in Requiem for a Nun is not described at all (40). The phrase "his gavel" confirms the assumption that he is male - as are all the many judges in the Yoknapatawpha fictions; those other judges are also all 'white' and 'upper class,' which is the basis for our other assumptions about this judge (41).
During the Saturday evening that Lucius spends at Miss Reba's in The Reivers, he hears "the bass rumble" of the men who patronize the brothel, but they are not seen or described with any other details (130).
