Submitted by jburgers@gc.cuny.edu on Fri, 2013-06-07 15:25
Doom was born "a subchief, a Mingo," one of three children from his mother, the sister of the tribe's chief (317). His birth name does not appear in this story. He is distinguished by the ambition that leads him as a young man to travel to New Orleans, where he appears as a "squat man with a bold, inscrutable, underbred face" (318). It is while living in the city that he acquires the name by which the story constantly refers to him: a Frenchman he meets there calls him "du homme," which turns into "Doom" (318).
Submitted by jburgers@gc.cuny.edu on Fri, 2013-06-07 15:10
The Negro slaves owned by the Indian tribe are described almost exclusively as a group: "a single octopus. They were like the roots of huge tree uncovered, the earth momentarily upon . . . its lightless and outraged life" (315). They adhere to their African customs, and keep ceremonial artifacts in the central cabin. The narrative characterizes them chiefly by their "fear" and "smell" (315), and the various rituals, including drumming and dancing, they practice. They treat the servant as one who is already dead, but do give him food to eat.
Submitted by jburgers@gc.cuny.edu on Fri, 2013-06-07 15:03
Three Basket is about sixty years old and like Louis Berry, described as "squat," "burgher-like; paunchy" - and more metaphorically, as well as more exotically, as having a "certain blurred serenity like [a] carved head on a ruined wall in Siam or Sumatra" (313). He wears "an enameled snuffbox" as an earring (313). Apparently he is a kind of overseer on the Indian plantation. Along with Louis Berry, he spends six days tracking down a Issetibbeha's servant, often remembering Doom's death, which was the last time a runaway slave had to be captured and killed.
Submitted by jburgers@gc.cuny.edu on Thu, 2013-06-06 20:13
The unnamed man who was Issetibbeha's slave and body servant for twenty-three years, and so (according to a tribal custom) must be killed and buried with his master, is the story's central character. He is identified as a "Guinea man," a term which can cover the entire region of west Africa that lies along the Gulf of Guinea. He was brought as a slave to the U.S. from "Kamerun" at age 14 (327). He became Issetibbeha's "servant" not long after that. At the time of his death he is forty.
Submitted by cornellgoldw@fo... on Tue, 2013-06-04 17:41
During his flight from the Choctaws the enslaved protagonist of the story moves back and forth along the "creek bottom" - the terrain on the south bank of the river beside the Indians' plantation (331). The landscape is defined by its swampiness, including "sloughs" that are deep enough to swim in (334), and dense "undergrowth" that includes "pawpaw thickets" (331).
Submitted by cornellgoldw@fo... on Tue, 2013-06-04 17:40
For reasons of their own, the enslaved Negroes on the Choctaw plantation hide their drums "in the creek bottom," "on the bank of a slough" (328). This place is close enough to the plantation for Issetibbeha's slave, hiding in the barn, to hear the other slaves drumming to mark time before their master's death. He imagines that the scene is dark, with the "black limbs" of the men "turning" in ritual dance while the women nurse their young (329). After he runs away, he returns to this area, where encounters the other slaves. He receives "cooked meat, wrapped in leaves" (333).
Submitted by cornellgoldw@fo... on Tue, 2013-06-04 17:35
The "barn" in which the enslaved protagonist of the story hides seems like a more regular structure than the 'big house' made from a steamboat: it is also called a "stable" and it includes a "dusty loft" (329).