Keywords

This is listed under cultural identity and ethnic identity, but in "Death Drag" it is very clear that this is a racial difference. The text states, "When he came up the spectators saw that he, like the limping man, was also a Jew. That is, they knew at once that two of the strangers were of a different race from themselves, without being able to say what the difference was" (188). Not sure if it makes to consolidate with the other forms of identifying Jewishness. JHB

Part of the vaudeville comedy duo Weber and Fields. JHB

This type of fraud is distinct from action: moral :: fraud in the sense that there are legal consequences. The specific example here is from "Death Drag" where Ginsfarb has a plane that is unlicensed and purchased a license from another plane that was allowed to fly thereby "compound[ing] another felony" (194). JHB

This is a general marker for anything to do with veterans. The specific instance is the relationship between Jock and Captain Warren in "Death Drag." Although this is technically a "relationship" between veterans, the occurrence is so rare that it makes more sense to create a generic term.

Rebirth as either a goal or a result of Christianity. In this particular case, Uncle Willy's church wants him to be reborn in "Uncle Willy". (232

A moment in a character's story when something happens that changes the arc of his or her life. For example, when in Absalom! Thomas Sutpen is turned away from the front door of that Tidewater plantation. Or in The Mansion, when Houston tells Mink Snopes he still owes the one dollar "pound fee" (28). SR