Keywords
Term ID![]() |
Term | Parent | Description | |
---|---|---|---|---|
1224 | Honesty | Character | ||
1226 | Responsibility | Character | ||
1227 | Trust | Character | ||
1235 | Pride | Character | ||
1242 | Departure | Arrivals/Departures | ||
1243 | Complexion | Appearance | ||
1245 | Injustice | Morals | ||
1247 | Ax | Objects | ||
1252 | Filthy lucre | Money |
When money elicits moral contempt: as tainted, corrupting, compromised, beneath one. JW |
|
1256 | Going fast | Recurring Tropes | ||
1259 | Tomorrow and tomorrow | Recurring Tropes | ||
1260 | Bugs | Animals | ||
1261 | Flesh | Body | ||
1268 | Candle | Objects | ||
1280 | Return home | Arrivals/Departures | ||
1282 | Money|Wealth | Absence/Loss | ||
1283 | Home as prison | Home | ||
1297 | Recovery | Money | ||
1301 | Paranoia | Psychological | ||
1303 | Parental | Past | ||
1305 | Estranged | Home | ||
1310 | Madness | Psychological | ||
1320 | Chivalry | Morals | ||
1322 | Past in present | Past | ||
1324 | Metaphorical elephant | Animals |
Term ID![]() |
Term | Parent | Description | |
---|---|---|---|---|
1225 | Love | Emotional | ||
1228 | Ascent | Economic | ||
1230 | Riding | Movement | ||
1234 | Speculation | Mental | ||
1236 | Feeding | Domestic | ||
1237 | Childbirth | Bodily | ||
1238 | Marriage | Legal | ||
1239 | Dying | Bodily | ||
1240 | Burial | Physical | ||
1241 | Quitting job | Work | ||
1246 | Carriage | Movement | ||
1248 | Assault | Violent | ||
1250 | Hitting | Physical | ||
1251 | Apprehending | Physical | ||
1253 | Shooting | Violent | ||
1269 | Warning | Verbal | ||
1273 | Complaining | Verbal | ||
1277 | Vengeful | Emotional | ||
1281 | Satisfaction | Emotional | ||
1289 | School recess | Play | ||
1292 | Terror | Emotional | ||
1293 | Vomiting | Bodily | ||
1294 | Shame | Emotional | ||
1299 | Investigating | Perceptual | ||
1300 | Surveillance | Perceptual | ||
1302 | Strip searching | Perceptual | ||
1304 | Family history | Verbal | ||
1311 | Attraction | Emotional | ||
1312 | Buying a house | Economic | ||
1314 | Dreaming | Mental | ||
1316 | Searching | Physical | ||
1317 | Courting | Interaction, Private | ||
1318 | Fainting | Bodily | ||
1319 | Promising | Verbal |
Term ID![]() |
Term | Parent | Description | |
---|---|---|---|---|
1229 | February | Time of Year | ||
1255 | Highway | Public | ||
1270 | Tavern | Place | ||
1276 | Seedy parts of town | Place | ||
1290 | Playground | Place |
Term ID![]() |
Term | Parent | Description | |
---|---|---|---|---|
1231 | Unspecified sickness | Health and Illness | ||
1232 | Legal document | Law | ||
1244 | Custody | Law | ||
1249 | Legal authority | Law | ||
1254 | Drunkenness | Alcohol | ||
1257 | American | Nationality | ||
1258 | Status, low | Class | ||
1262 | Mentorship | Education | ||
1272 | Masculine woman | Gender | ||
1275 | Implied shooting | Violence | ||
1284 | Appearance of | Sexuality | ||
1285 | Movies | Entertainment | ||
1286 | Magazines | Mass Media | ||
1287 | Movies | Mass Media | ||
1288 | Childhood | Age | ||
1291 | Child abuse | Violence | ||
1295 | Anemia | Health and Illness | ||
1296 | Medical advice | Health and Illness | ||
1306 | Maturing | Age | ||
1309 | Country to city | Progress |
To capture the movement of people from the countryside to more urban areas, including moving from Frenchman's Bend to Jefferson, as Zilphia Gant's mother and so many Snopeses do. SR |
|
1313 | Buying a house | Economy |
Term ID![]() |
Term | Parent | Description | |
---|---|---|---|---|
1233 | Desertion | Marital | ||
1263 | Mentorship | Social | ||
1264 | Mentorship | Familial | ||
1271 | Mother-daughter passim | Familial | ||
1298 | Childhood friends | Friendship | ||
1321 | Civil marriage | Marital |
Term ID![]() |
Term | Parent | Description | |
---|---|---|---|---|
1265 | France | Allusion, Geographical | ||
1266 | Gulliver's Travels | Allusion, Literary | ||
1267 | Unfinished sentence | Style | ||
1274 | Coleridge, Samuel | Allusion, Literary | ||
1278 | Fate | Allusion, Mythical | ||
1279 | Vestal | Allusion, Mythical | ||
1308 | Dots | Typography/Orthography |
This is for the occasions when Faulkner uses a series of dots as a feature of his prose - i.e. ". . ." or ". . . . . ." We can't call these dots ellipses, because they do not represent anything being left out of the text. The most disconcerting use of this technique is in "Miss Zilphia Gant." SR |
|
1315 | Freudian | Symbolism | ||
1323 | Shadows | Symbolism |