Keywords
Term ID |
Vocabulary![]() |
Parent | Term | Description |
---|---|---|---|---|
5624 | Aesthetics | Diction | Derogatory socio-economic term | |
1099 | Aesthetics | (First level term) | Description | |
2374 | Aesthetics | Figures of Speech | Desert island | |
4749 | Aesthetics | Genre Conventions | Detective fiction | |
3281 | Aesthetics | Typography/Orthography | Dialogue with no quotation marks | |
5467 | Aesthetics | Allusion, Literary | Dickens, Charles | |
3782 | Aesthetics | Allusion, Literary | Dickinson, Emily | |
3230 | Aesthetics | Allusion, Historical | Dickson | |
407 | Aesthetics | (First level term) | Diction | |
1698 | Aesthetics | Allusion, Historical | Dillinger, John | |
5245 | Aesthetics | Allusion, Mythical | Dionysus | |
1902 | Aesthetics | Figures of Speech | Disease | |
4868 | Aesthetics | Narrative | Disruption | |
1930 | Aesthetics | Allusion, Biblical | Divine intervention | |
1936 | Aesthetics | Allusion, Mythical | Djinn | |
5562 | Aesthetics | Allusion, Geographical | Doddsville, Mississippi | |
2387 | Aesthetics | Allusion, Literary | Don Juan | |
4302 | Aesthetics | Allusion, Literary | Don Quixote | |
4527 | Aesthetics | Allusion, Literary | Donne, John | |
5039 | Aesthetics | Recurring Episodes | Doom becomes chief | |
1308 | Aesthetics | Typography/Orthography | Dots |
This is for the occasions when Faulkner uses a series of dots as a feature of his prose - i.e. ". . ." or ". . . . . ." We can't call these dots ellipses, because they do not represent anything being left out of the text. The most disconcerting use of this technique is in "Miss Zilphia Gant." SR |
849 | Aesthetics | Diction | Double entendre | |
2189 | Aesthetics | Allusion, Mythical | Dragon's teeth | |
3511 | Aesthetics | Figures of Speech | Drained marsh | |
3759 | Aesthetics | Figures of Speech | Drama / Theatre imagery | |
4520 | Aesthetics | Typography/Orthography | Drawing of an eye | |
5010 | Aesthetics | Typography/Orthography | Drawing of delta | |
3460 | Aesthetics | Allusion, Historical | Dreiser, Theodore | |
5063 | Aesthetics | Recurring Episodes | Driving to Goodwin's | |
4393 | Aesthetics | Allusion, Historical | Duke John of Lorraine | |
1878 | Aesthetics | Allusion, Literary | Dumas, Alexandre | |
3295 | Aesthetics | Allusion, Historical | Dumas, Alexandre | |
3236 | Aesthetics | Allusion, Geographical | Dunquerque | |
5429 | Aesthetics | Allusion, Literary | East Lynne | |
4633 | Aesthetics | Language | eeeeeeeeeeeeeee | |
4518 | Aesthetics | Allusion, Geographical | Egypt | |
4492 | Aesthetics | Allusion, Historical | Einstein, Albert | |
2032 | Aesthetics | Figures of Speech | Electricity | |
742 | Aesthetics | Tone | Elegiac | |
3158 | Aesthetics | Allusion, Literary | Eliot, T. S. | |
1425 | Aesthetics | Language | Ellipsis | |
1049 | Aesthetics | Intertextuality | Embedded text, cursive |
This term was created In reference to the names "George Wilkins" and "Nathalie Beauchamp" written by hand on the wedding license in "Point of Law." JW |
1180 | Aesthetics | Intertextuality | Embedded text, lettering | |
3912 | Aesthetics | Figures of Speech | Embroidery | |
3218 | Aesthetics | Allusion, Historical | Emperor Maximilian | |
2707 | Aesthetics | Allusion, Geographical | England | |
1637 | Aesthetics | Narrative | Epiphany | |
3220 | Aesthetics | Allusion, Mythical | Erinys | |
5047 | Aesthetics | Recurring Episodes | Etching name on window | |
3927 | Aesthetics | Diction | Ethnic slur | |
4088 | Aesthetics | Allusion, Mythical | Euboeleus / Eubuleus | |
5071 | Aesthetics | Recurring Episodes | Eula's medallion unveiled | |
5442 | Aesthetics | Allusion, Geographical | Europe | |
2617 | Aesthetics | Allusion, Biblical | Eve | |
4322 | Aesthetics | Allusion, Biblical | Exodus | |
760 | Aesthetics | Figures of Speech | Exoticism | |
4963 | Aesthetics | Interpretation | Explanatory passage | |
1661 | Aesthetics | Allusion, Historical | Explorers | |
2287 | Aesthetics | Figures of Speech | Expression |
Any common expression, saying, or proverb that Faulkner uses. For example, "cat on a hot stove" or "sticks out like a horse in a duck pond." JB |
915 | Aesthetics | Figures of Speech | Eyes | |
1204 | Aesthetics | Description | Eyes | |
1545 | Aesthetics | Figures of Speech | Face | |
2611 | Aesthetics | Narrative | Fantasy |
Whenever a narrator engages in an event that she or he knows to be pure fantasy or wish fulfillment. JC |
1370 | Aesthetics | Tone | Farce | |
1278 | Aesthetics | Allusion, Mythical | Fate | |
2802 | Aesthetics | Intertextuality | Faulkner text | |
2300 | Aesthetics | Allusion, Literary | Faustus | |
3789 | Aesthetics | Allusion, Mythical | Female monsters | |
3692 | Aesthetics | Figures of Speech | Fertilise / Fertility imagery | |
5107 | Aesthetics | Allusion, Literary | Fielding, Henry | |
5314 | Aesthetics | Allusion, Historical | Fields, Lew |
Part of the vaudeville comedy duo Weber and Fields. JHB |
408 | Aesthetics | (First level term) | Figures of Speech | |
3872 | Aesthetics | Figures of Speech | Fire | |
4054 | Aesthetics | Symbolism | Fire | |
5042 | Aesthetics | Recurring Episodes | First settlers arrive | |
490 | Aesthetics | Narrative | First-person | |
494 | Aesthetics | Narrative | First-person passim | |
3131 | Aesthetics | Narrative | First-person passim throughout section | |
504 | Aesthetics | Narrative | First-person plural passim | |
487 | Aesthetics | Narrative | First-person vernacular | |
488 | Aesthetics | Narrative | First-person vernacular passim | |
2621 | Aesthetics | Figures of Speech | Fish | |
5119 | Aesthetics | Allusion, Literary | Fitzgerald, F. Scott | |
1533 | Aesthetics | Figures of Speech | Flag | |
5060 | Aesthetics | Recurring Episodes | Flem and Eula marry | |
5215 | Aesthetics | Recurring Episodes | Flem reaches Jefferson | |
3299 | Aesthetics | Figures of Speech | Flood imagery | |
5366 | Aesthetics | Allusion, Geographical | Florida | |
4373 | Aesthetics | Figures of Speech | Food and drink imagery | |
2290 | Aesthetics | Allusion, Historical | Ford, Henry | |
4042 | Aesthetics | Language | Foreign accent / dialect | |
3827 | Aesthetics | Language | Foreign language | |
3038 | Aesthetics | Narrative | Foreshadowing | |
5108 | Aesthetics | Allusion, Literary | Forever Amber | |
1486 | Aesthetics | Allusion, Historical | Forrest, Nathan Bedford | |
4785 | Aesthetics | Allusion, Geographical | Fort Moultrie, South Carolina | |
2327 | Aesthetics | Allusion, Historical | Fort Sumter | |
3289 | Aesthetics | Language | Fragments | |
1659 | Aesthetics | Narrative | Frame |
Though somewhat obvious, this refers to a "nested" narrative where a story is told by someone to someone else. The example here is the opening of The Reivers, where the entire text is framed as being told to Lucius III by Lucius II. JB |
1265 | Aesthetics | Allusion, Geographical | France |