Keywords
Term ID | Vocabulary |
Parent![]() |
Term | Description |
---|---|---|---|---|
1883 | Themes and Motifs | Supernatural | Ghost | |
2612 | Themes and Motifs | Supernatural | Haunted house | |
2608 | Themes and Motifs | Supernatural | Haunting | |
1003 | Themes and Motifs | Supernatural | Insight | |
2382 | Themes and Motifs | Supernatural | Phantom | |
1947 | Themes and Motifs | Supernatural | Place | |
2613 | Themes and Motifs | Supernatural | Sickness | |
2877 | Themes and Motifs | Supernatural | Signs / Omen | |
2369 | Themes and Motifs | Supernatural | Soul / Spirit | |
2385 | Themes and Motifs | Supernatural | Spell | |
3134 | Themes and Motifs | Supernatural | Superstitions | |
2373 | Themes and Motifs | Supernatural | Telepathy | |
5498 | Themes and Motifs | Supernatural | Vision | |
5348 | Aesthetics | Style | Address to reader | |
1451 | Aesthetics | Style | Bricolage | |
966 | Aesthetics | Style | Character portrait | |
1959 | Aesthetics | Style | Cubism | |
3036 | Aesthetics | Style | Index | |
3510 | Aesthetics | Style | List | |
1888 | Aesthetics | Style | Long sentence | |
3037 | Aesthetics | Style | Long sentence passim | |
641 | Aesthetics | Style | Neologism | |
3538 | Aesthetics | Style | Numerous adjectives | |
2507 | Aesthetics | Style | Present tense | |
1267 | Aesthetics | Style | Unfinished sentence | |
1520 | Themes and Motifs | Story-telling | Audience response | |
3062 | Themes and Motifs | Story-telling | Collaborative | |
571 | Themes and Motifs | Story-telling | Communal mythology | |
5226 | Themes and Motifs | Story-telling | Deadpan | |
4918 | Themes and Motifs | Story-telling | Explaining | |
5613 | Themes and Motifs | Story-telling | Gestures | |
4919 | Themes and Motifs | Story-telling | Hunting | |
1671 | Themes and Motifs | Story-telling | Old days | |
1806 | Themes and Motifs | Story-telling | Reminiscence | |
4127 | Themes and Motifs | Story-telling | Retelling | |
5232 | Themes and Motifs | Story-telling | Risque | |
1131 | Themes and Motifs | Story-telling | Story-telling passim | |
597 | Relationships | Social | Adversarial | |
1140 | Relationships | Social | Assailant-victim | |
3895 | Relationships | Social | Club | |
759 | Relationships | Social | Conflict | |
4865 | Relationships | Social | Coworker | |
3304 | Relationships | Social | Crowds | |
1831 | Relationships | Social | Fame | |
3764 | Relationships | Social | Fellow alumni of a college or university | |
4961 | Relationships | Social | Gang | |
3302 | Relationships | Social | Homoerotic | |
1418 | Relationships | Social | Homosocial | |
547 | Relationships | Social | Homosocial rivalry | |
1420 | Relationships | Social | Isolation |
This term describes moments when a character is isolated or ostracized from the wider social community. BR |
1263 | Relationships | Social | Mentorship | |
752 | Relationships | Social | Neighbor | |
828 | Relationships | Social | Paternalism | |
664 | Relationships | Social | Snobbery | |
4969 | Relationships | Social | Social organizations | |
302 | Cultural Issues | Slavery | AANoSecondTerm | |
317 | Cultural Issues | Slavery | Abolition | |
305 | Cultural Issues | Slavery | African origins | |
328 | Cultural Issues | Slavery | Amelioration |
To mark passages where white slave owners make some attempt to improve the condition of the slaves they own; the clearest example is way Buck and Buddy McCaslin treat their slaves. SR |
3178 | Cultural Issues | Slavery | And progress | |
5564 | Cultural Issues | Slavery | As cause of Civil War | |
303 | Cultural Issues | Slavery | Biblical analogy | |
293 | Cultural Issues | Slavery | Biblical curse | |
288 | Cultural Issues | Slavery | Big house vs quarters | |
5609 | Cultural Issues | Slavery | Buying slaves | |
292 | Cultural Issues | Slavery | Civil War | |
287 | Cultural Issues | Slavery | Commodity | |
309 | Cultural Issues | Slavery | Concubinage | |
2446 | Cultural Issues | Slavery | Courtship | |
326 | Cultural Issues | Slavery | Curse | |
320 | Cultural Issues | Slavery | Demographics |
For passages that include specific numbers about the people or places involved, as when Bayard says that before the War on Sundays, there would be 10 slaves at the service for every 1 white person. SR |
314 | Cultural Issues | Slavery | Discipline |
For passages that depict or refer to any elements of the system by which slaves were policed or punished, like the "Patrollers" who patrolled roads after dark to prevent slaves from leaving plantations. SR |
274 | Cultural Issues | Slavery | Domestic labor | |
330 | Cultural Issues | Slavery | Emancipation | |
291 | Cultural Issues | Slavery | Etiquette | |
299 | Cultural Issues | Slavery | Evil | |
313 | Cultural Issues | Slavery | Family | |
307 | Cultural Issues | Slavery | Field slaves vs house slaves | |
280 | Cultural Issues | Slavery | Forced migration | |
315 | Cultural Issues | Slavery | Freedom | |
283 | Cultural Issues | Slavery | Fugitive | |
3743 | Cultural Issues | Slavery | Galley slave | |
2512 | Cultural Issues | Slavery | Growth of | |
324 | Cultural Issues | Slavery | Guilt | |
4985 | Cultural Issues | Slavery | Housing | |
4778 | Cultural Issues | Slavery | Humiliation | |
2504 | Cultural Issues | Slavery | Imported |
To indicate when slaves began their lives (in either freedom or slavery) outside the U.S. The most obvious example are the slaves Sutpen brings with him from the Caribbean. SR |
329 | Cultural Issues | Slavery | Indian slave-owners | |
278 | Cultural Issues | Slavery | Interracial violence | |
273 | Cultural Issues | Slavery | Labor | |
2202 | Cultural Issues | Slavery | Legacy after emancipation |
Refers to when a text alludes to the legacy of slavery years (or decades) after the end of slavery. It was created to tag the references to "sold my Benjamin" in "Go Down, Moses" - a story whose very title alludes to slavery. JBP |
2419 | Cultural Issues | Slavery | Local origins | |
285 | Cultural Issues | Slavery | Loyalty |
To note passages in which enslaved people are described - or describe themselves - as loyal to the family that owns them, as when Simon describes how happy all the Sartoris slaves were at the birth of their master's son. SR |
286 | Cultural Issues | Slavery | Manumission | |
310 | Cultural Issues | Slavery | Marriage | |
281 | Cultural Issues | Slavery | Metaphorical |
Used to flag the passages in which a narrator or a non-enslaved character uses "slavery" metaphorically, to describe something else. Lucas Burch, for instance, complains that his job at the planing mill has him "slaving all day." SR |
308 | Cultural Issues | Slavery | Middle passage | |
316 | Cultural Issues | Slavery | Minstrelsy |
Used to mark the passages where the representation of a slave or group of slaves draws on the representational conventions of blackface minstrelsy, where slaves were depicted as comically inferior to whites. The scene in "Retreat" where Ringo "hollers and moans and hollers again" for "Marse John" and "Bayard and Colonel and Marse John and Granny" is an instance of this. SR |
279 | Cultural Issues | Slavery | Miscegenation | |
300 | Cultural Issues | Slavery | Music |